This work explores the interrelationality of the human and non-human animals within the more-than-human world. These found images survey the micro patterns or digital fossils of surveillance using GIS technology as a form of biosemiosis through which to view our relationship to non-human animals. Using a lens that is detached and neutral helps bring forward the animals without the interruption of the sublime. How has tracking animals and ourselves through surveillance developed into this new field of geo-anthropology and anthrozoology through the use of non-human photography as a type of archeology.